Some were written recently, with the awareness of his imminent passing, others date back to the ‘80s, but despite the disparate contributors, there’s a consistency to the album which feels organic. It was a really beautiful way to go out, it was very much of a piece with how he lived his life.” Soon after Conway’s death, Foucault and Sargent began talking about recording an album of Conway’s songs, most of which had been seldom heard outside his immediate circle. During that time, there was so much music played. “It was a communal experience,” says Delmhorst, “Just being there, hanging out, making music, making meals. Like this that and this and uh It's like that and like this and like that and uh it's like this so who gives a fuck about phoes so just chille tothe NEXT EPISODE.More: Last Call: Irishman turned Worcesterite Tony Gahan on putting words on paper It's like this and like that and like this and uh It's like that and like this and like that and uh it's like this now who gives a fuck about phoes so just chill tothe next episodeįallin back on that ass with a hellafied gangsta lean gettinfunky on the mic like an old batch of collar greens its the capital S oh yesi'm fresh N double O P D-O double G why D-O double G ya see showin much flex when it's time to wreck a mic pimp'n hoes and clock'n agrip like my name was Dola Mic yeah and it don't quit i think they inthe mood for some mutha fuckin G shit so Dre what up dogg gotta give what want whats that G gotta break em off somethin hell yeah andit's gotta be bumpin city of compton This is where it take place so I'ma ask you attention mobbin likea mutha fucka but i aint lynchin droppin the funky shit thats makinthe sucka niggaz mumble when i'm on the mic it's like a cookie they all crumble try to get close and your ass will get smacked my mutha fuckin homie doggy dogg has got my back never let me slip cause if i slip then i'm slipp'n but if i got my nina then youknow i'm straight trippin and i'ma continue to put the rap down putthe mack down and if you bitches talk shit i have to put the smack down yeah and ya don't stop i told you i'm just like a clock wheni tick and i tock but i'm never off always on till the break of dawn C-O-M-P-T-O-N and the city they call Long beach puttin that shit togetha like my nigga D.O.C. Well im peep'n and i'm creep'n and i'm Phreap'n but i damn neargot cause my beeper kept beep'n now it's time for me to make my impression felt so sit back relax and strap on your seat belt you never been on a ride like this befo with a producer who canrap and controll the mistro at the same time with the dope rhyme thati kick, you know and i know i flow some old funky shit to add to mycollection the selection symbolizes dope take a toke but don't choke if youdo you have no clue about what me and my homie snoop dogg came to do It's like this and like that and like this and uh It's like that and like this and like that and uh It's like this and like that and like this and uh Give me the microphone first so i can bust like abubble compton and long beach togetha now you know you in trouble aint nuthin but a G than baby, two loced out niggaz goin crazy, deathrow is the label that pays me unfadeable so please don't try to fadethis but a back to the lecture at hand perfection is perfected so I'malet em understand from young G's perspective and before me diggin abitch I gotta find a contreceptive you neva know she could be earn'nher man and learn'n her man and at the same time burn'n her man now you know i aint with that shit lutenent aint no pussy good enoughto give her while i'm up in it "Yeah" and thats realer than realdeal holyfield and now you hookaz and hoes know how i feel well ifit's good enough to give her off a proper chunk i take a small peiceof some of that funky stuff. One two three and to the four snoop doggy dogg and dr.Dre is atthe door ready to make an entrance so back on up cause you know we bout to rip shit up.
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